When most people hear Shakespeare’s name, they imagine something erudite and archaic, not to be understood by us common folk. They imagine something serious, something profound, and nothing at all like AACC Theater’s raunchy, raucous production of “Twelfth Night.”
Delightful slapstick and mistaken-identity shenanigans gave vibrant life to Shakespeare’s 17th century rom-com.
The physicality of the production in particular stood out to me–the Moroccan-inspired 1930s setting fit the play perfectly. Horses were replaced with bicycles; musicians with record players; and, in one memorable scene, a sword with a badminton racket.
AACC student Leo Kubit stole the show with a spectacular performance as Sir Toby. With buoyant presence, over-the-top gesticulation and comedic talent, they brought the audience to uproarious laughter. I was excited every time Kubit walked on stage–I knew the next scene would be good.
Lady Olivia, played by Aryana Chamberlain, commanded the stage with extraordinary poise, which in turn devolved into absurd and wonderful comedy. Her stage presence demanded attention, her every movement commanding the scene. I especially loved her performance as the play neared its end and the chaotic hilarity of mistaken identity rose to its peak.
Gabe Duque gave a vivid performance as Malvolio, positively spitting his lines, strutting about the stage with flamboyance and aplomb.
The cast and crew built wonderfully off each other to make a delightful show. The production of “Twelfth Night” made Shakespeare feel accessible, easy and fun.
The play will run Saturday and Sunday, Nov. 9 and 10, in the Kauffman Theater, as well next weekend on Nov. 15, 16 and 17. Tickets cost $5 for students, $10 for seniors, military and AACC employees, and $20 for general admission.
